A significant chunk of a lifetime ago I was writing a series of posts on the musicians I considered to be the best I happen to have seen play live. Other things have intervened but I have contracted covid so the long list of outstanding tasks - and walking, and golf - are out for a few days. So here I resume my encomium* on the best guitarists I've seen play.
To save you looking back, guitarists I've written about from the very large number I've seen included Carlos Santana, Richie Blackmore, Tony Iommi (who arguably created the doom laden sound of heavy metal) and Peter Buck, none of whom made my shortlist and David Gilour, Jimmy Page and Robert Fripp, who did.
Before moving on to my final shorlisted guitarist, other prominent guitarists I've seen include Keith Richards (fourth on Rolling Stone magazine's list compiled by celebrity guitarists**), Pete Townshend (10th) and Dave Davies (91st). These three guitarists illustrate why my original question - who was most the master of his instrument - probably doesn't make sense. Rock music isn't like classical, where a virtuoso violinist's creativity is limited to interpretation (unless they also compose, which is rare). The reason Richards is so high on the list clearly isn't just his skill as a player. C'mon, he wrote the riffs to Satisfaction and Gimme Shelter! And Dave Davies slashed his speaker cone to produce the rasping sound likened to a "barking dog" by one music industry executive, changing Ray's gentle acoustic riff for You Really Got Me into the template for punk. And, according to Mike Rutherford of Genesis, "still one of the greatest riffs of all time". These guys were hugely influential innovators.
Moreover some of the best guitarists I've seen have been hired guns, albeit longstanding ones in the case of Daryl Stuermer who was brought in by Genesis to cover for Steve Hackett in 1977 and has played with them ever since. I haven't seen Hackett, another innovative guitarist, but Stuermer knocks those guitar pieces off like shelling peas (or a virtuoso violinist). When I saw Genesis last year Phil Collins wryly introduced Starmer as being indispensible, as the one who actually knew how to play all the songs. I'd probably add Rick Fenn to that list, who has filled in for Eric Stewart on guitar in 10CC very capably, also since the 70s.
So I don't think you can completely separate skill on the instrument from creativity in this context (Rolling Stone clearly didn't).
Others I've seen included Frank Zappa (22nd on Rolling Stone's list, a great musical magpie and writer of the superb extended guitar solo in Willie The Pimp, a very memorable gig when I saw him in Manchester). It's possible Zappa should be in my shortlist, but he isn't. Another that easily could have been is too obscure for the RS list: Del Bromham of Stray, formed in 1966 and still gigging. I recall their first album being played at teenage parties but didn't buy it until after I saw them playing at a pub in Derby around 2010. As noted by several music publications, Stray may not have gone platinum but Bromham is seriously good. Hearing Harry Farr made me turn round, go to the back and buy the CD before they had started the next song, something I'd never done before. Del is partial to a bit of Hendrix influence but, as a pure guitar player, I suspect he's actually better than most of the names mentioned above. When we saw them again at The Flowerpot (a pub where Mrs H wouldn't have a drink and avoided going to the toilet!) our younger son laughed at how good they were: "there are bands filling stadiums who aren't as good as this".
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